Album Recommendation: The Looks

Buried under a mound of metal/rock/punk/industrial albums in my music collection, there are a few oddball albums that don’t seem to fit the general theme of said collection. But when it comes to music, I can appreciate something from all genres so it should not be a surprise there are outliers scattered about. I can’t believe it’s already been nearly 13 years since my ears first heard MSTRKRFT’s The Looks but I have nothing but fond memories of listening to it ever since.

As you may have noticed, I like to listen to ‘harder’ or ‘heavier’ music, that’s just my taste. Even as I write this, I’ve got KMFDM playing in the background. But if you’re familiar with industrial, you know that it has many of its roots from electronic music. If you take out the guitar on some of my favourite tracks, you get a sound that’s heavily electronic inspired. So, an album like The Looks isn’t a very far stretch for me.

The Looks is a fairly ‘light’ electronic album when compared to other electronica inspired albums I’ve got by groups like Lords of Acid or VNV Nation. It crosses over into pop territory at times which may be a turnoff for many listeners but not really for me. Songs like Easy Love and Work on You sound like pop songs altogether but are two of my favourites. Tracks such as Paris and Neon Knights tend to be a bit more ‘heavy’ electronic ones which changes the pace or sound of the album as you listen through it all.

My personal favourite though is Street Justice. For me the chorus riff always reminds me of bar hopping in Budapest in the early hours of the morning with the streets still packed with bar patrons. It seems to remind me of a very busy, active social scene in a big city and you’re there partying along too. I’m not entirely sure why it reminds me of that it does. A friend who heard the track back in school told me it’s the kind of riff that makes him want to pop some acid and dance all night at a warehouse rave. And to an extent I agree with his visualization of the song.

Regardless of the track, I do find electronic music that is not a 90s repetitive bland uhn-tss uhn-tss techno to be enjoyable so I would recommend this album to anyone despite what their preferred genres are. Prior to listening MSTRKRFT, I enjoyed some tunes from Death From Above 1979, particularly their remixes which are much more electronic than the songs they release themselves. And surprise surprise, Jesse Keeler, who is one half of Death From Above 1979, is one half of MSTRKRFT. It was one of those “I’m shocked but I really shouldn’t be” moments.

Of course when you find a new artist or group that you like, you try to explore the rest of their work. I tried listening to MSTRKRFT’s more recent albums, but I just couldn’t get into them that much. I find they deviated from The Looks by going a little more hip-hop, but with a heavier sound. And for me it just didn’t sound that great. But The Looks is an album I find myself coming back to from time to time. Give it a listen sometime!

Show Recommendation: Preacher



Normally when I tend to do a write up on a piece of media that I’d like to recommend to my readers, I like to stray from the often travelled path. There’s not much of a point to recommending Game of Thrones for a TV show, Gladiator for a movie, 1984 for a book, or London Calling for an album. These are already cultural icons praised by millions and those without an interest in them are still aware of their existence. This one is a TV recommendation, and while TV is one of the most popular forms of media consumed, the show itself is a little less known and is based off a comicbook. Though the comicbook is highly regarded amongst avid readers, the majority of TV viewers are not aware of it so I thought I’d recommend the TV adaptation of Garth Ennis’ Preacher. I finished off binging season three not too long ago and was more than happy with how the show has been adapted to the silver screen, especially with this season, which prompted me to write this.

As you read this recommendation, you’ll notice the show and comicbookare definitely not for everyone. It can be fairly disgusting and disturbing at times. Besides that it is highly unbelievable at times, a little ludicrous or absurd, and even has a dark comedic side. If that doesn’t bother you, or perhaps it’s your thing, then Preacher makes for a highly entertaining ride.

Anytime I’m discussing Preacher with someone unfamiliar with it, they tend to ask the traditional ‘what is it about’ question. This is a somewhat tricky answer given some of the absurdity in the Preacher universe so I usually bellow out a long winded summary that goes like this:

A long time ago, a demon and angel got it on and the angel gave birth to an abomination called Genesis, which is basically a floating ball of light. It’s imprisoned in Heaven but eventually breaks free and heads to Earth. There Genesis begins to inhabit the body of our protagonist Jesse Custer, a hard drinking, bar fighting, ex-con trying to redeem himself by becoming a preacher in a small town in Texas. Genesis essentially sits dormant in Jesse, the only difference in Jesse is that when he uses a specific voice he commands the word of God and no being can refuse his command. After trying to contact God to ask why he was given this power, he finds out God has basically checked out of Heaven and is having fun on Earth. And so the long quest to find God begins and is the general overarching plot to the story. Heavily entwined with the main plot is an organization called The Grail, which essentially controls most governments and corporations giving it unlimited resources. The Grail protects the bloodline of Christ, who’s only descendant is a mentally challenged man (thanks to generations of inbreeding) known as Humperdoo. This organization is headed by a morbidly obese glutton called the Allfather who is bent of capturing Jesse to transfer Genesis into Humperdoo and show the messiah to the world.

Since Preacher is a bit of a lengthy comicbook, there are several story arcs and a large cast of colorful characters. Besides Jesse, the main cast includes his badass girlfriend Tulip and his Irish junkie friend Cassidy, who also happens to be a vampire because why not. There’s Arseface, who tried to kill himself by putting a shotgun in his mouth, but missed and now his mouth looks like a sphincter. You’ll meet the Saint of Killers, a tortured soul of a cowboy who lost his family and took his revenge on a town. He was later gifted with revolvers that can kill any being in existence and is tasked with capturing Jesse. Herr Starr is a ruthless and no nonsense German commander in The Grail who has a ridiculous amount of nonsense happen to him.You’ll see Jesse’s grandmother, who has sort of voodoo like powers she uses to steal the souls of others for her possible immortality. There’s an owner of a slaughterhouse who has an extremely odd love for meat. A hillbilly who likes animals a little too much, a pair of idiotic angels who try to capture Jesse, and of course Satan. He happens to be surprisingly funny and charismatic despite being a stereotypical bodybuilding red demon with massive horns.Let’s not forget Hitler, who breaks out of Hell and begins working in a diner. I can’t cover all the characters in a short write up but that should give you enough to think about.

While the comicbook is great, I’m quite impressed with how the creative team adapted it to the small screen which is why I chose to go with the show for my recommendation. Besides adapting and following story arcs, the show has stayed true to form when compared to the comicbook in other ways. A couple of examples I can think of off the top of my head would be that the TV show is not afraid to use plenty of violence and some gore, although it doesn’t go too overboard. Also, as I mentioned earlier, there is a comedic sense to the show that comes directly from the source material. Given the absurdity of the show it’ll make you give out a guilty chuckle from time to time. In short, the atmosphere of the show feels as the comicbook reads.

Like almost all TV adaptations, the show runners have naturally made some changes. This can be a hit or miss, but in my opinion so far it’s been pretty win winwith Preacher. Some notable changes were shuffling up some of the arcs from the comic, suchas the slaughterhouse owner arc was in season one of the show while it’s fairly later in the comicbook. The visual depiction of some places created for just the show are fairly entertaining and creative as well such as purgatory. Again, all done with a bit of interesting absurdity.

So in summation, if you’re looking for a hell of an entertaining show I highly suggest Preacher, even if you’re not a fan of comicbooks this one is a unique gem. Again, it’s not for everyone, but if you enjoy larger than life stories and characters mixed with some comical absurdity and violence you’re in for a treat.

As a side note, after rereading this write up I can see it’s not written particularly well. These write ups are supposed to be both a recommendation to the reader also an exercise in writing for myself. However, there is a reason this one just sounds like rambling. I actually wrote a different recommendation for Preacher a couple of weeks ago, though the general idea of it was the same, the wording and grammar were polished a few times over. Unfortunately the file of my USB drive became corrupted and I couldn’t recover it and got frustrated. So I decided I didn’t want to write it up again, but after thinking about it again, I just decided to just write it quickly even if it’s poorly worded. Sorry.

Comicbook Recommendation: Transmetropolitan

Transmetropolitan #1

While I’ve already declared Locke & Key to be my favourite comic book, I must confess that it won the title by only a hair. Though to be honest, I’ve read several comic books that I’d consider to be pretty good, but not many that I absolutely love. Since this is only my second recommendation from this medium, the choice must still come from the top of my list. And while there are many on that list that are tied for third place, Warren Ellis’ Transmetropolitan sits alone on the podium as second place.

Before I continue, I must make another confession. This recommendation might be somewhat vague and short unfortunately, for I haven’t read this series in years now and some of the details may be lost in the hodgepodge that is my mind.

Transmetropolitan is set in a somewhat dystopian world a couple of hundred years down the road. The cities are futuristic cesspools of debauchery where your average citizen seems apathetic toward it all. The typical urban dweller is sedated by drugs or distracted by technology that satisfies their every desire, so they are primarily numb to it all. As you’d expect, the city is packed with a cast of colourful characters; street side scammers, sexual deviants, junkies, trendy people with cybernetic implants or limbs, average criminals, mutants and the deformed, beggars, just plain crazy, and self-proclaimed religious prophets. In additional to the population, as you stroll down the streets you’ll also see heaps of trash piles as you’re being bombarded with advertisements that line nearly every inch of the infrastructure, sometimes even under your feet on the sidewalks.

As fascinating as the future presents itself, the core focus of the story is an eccentric (and somewhat psychotic) journalist named Spider Jerusalem who is forced to come out of his hermit like retirement and begin writing again. Think Hunter S. Thompson set in cyberpunk world, but with much more tattoos. His character is more than entertaining to say the least. He has a diverse vocabulary and is always inventing new swear laden insults for anyone he has to deal with, even those he considers friends. He’s a very jaded and sarcastic individual who thoroughly enjoys drug binges. Jerusalem also sports a small arsenal at times and is always willing to kick someone’s ass to get what he’s looking for. Above all though, he’s an amazing journalist who is not afraid to do anything it takes to get the truth published and bring justice to those who deserve it most.

While there is an overall story arc to all of Transmetropolitan that focuses on Jerusalem versus corrupt politicians, Ellis takes plenty of time to throw some focus on some other points. Some of these topics are existent only due to the nature of the fictional futuristic world the story is set in, though even thosecan be boiled down to philosophy that can be applied to today’s real world. Some of these topics are religion, rallies and protests, cryogenic preservation, poverty, the media, body altering with implants, and many more real world and fictional issues. Jerusalem does this all while giving his unique opinion on the subjects, often with sarcasm and swear words as expected.

I’m sure there are other great points worth mentioning about this series, but as I mentioned it’s been years since I’ve read it. Not only that, but the world Ellis has created is highly detailed and vast I can’t go over it all in one short write up. I highly recommend this comic if you’ve got interest in a dystopian somewhat cyberpunk world, or gonzo journalism, or politics, or the media. Even if you don’t, the eccentric Spider Jerusalem and artwork make for a highly entertaining read.

Album Recommendation: The Vandals Play Really Bad Original Country Tunes


Somewhere in my mid-teens, one of my best friends and I went fishing at a small lake nearby. It was a bust, but on the way home we listened to a local radio station that played offbeat music that you wouldn’t hear on the usual generic pop or rock stations. A song called “People That Are Going to Hell” by The Vandals began to play and we liked it even though we never heard of The Vandals before. It was a somewhat catchy punk song with amusing lyrics so it naturally got stuck in my head for a while. It wasn’t long before that I had their entire discography and found myself listening to them more and more. Picking my favourite album by them is difficult, as with any other of my favourite bands, but I did end up finding one I could listen to front start to finish. There’s a bit of an oddness to the album I chose though. It’s a country album. Besides this album, The Vandals don’t really play country music as they’re a punk band. I don’t really like country music, though I admit there is the odd tune I enjoy. So oddly enough, “The Vandals Play Really Bad Original Country Tunes” ended up being my favourite album of theirs. The album was originally released as “Slippery When Ill” though I enjoy the latter as it has a couple of additional songs that were not on the original.

Many punk bands out there are politically motivated but The Vandals don’t really seem to care for such things. Many of their albums and songs are tongue-in-cheek, immature, and sarcastic. So it should be no surprise that they decided to combine punk and country music for an entire album (they’ve also got an entire Christmas album too, go figure). Somehow it worked wonderfully even though I thought punk and twang would never mix. The tempo for most songs seems slightly slower than their typical punk songs but the pace is kept at a higher rate than your typical country song. There is also a great mix of twang in one song, while others favour a distorted guitar with a country rhythm. This is coupled great with some immature lyrics such as the kind that appear on songs like “Clowns Are Experts (At Making Us Laugh)” and “Play That Country Tuba, Cowboy.”

Without a doubt, my absolutely favourite song on the album is called “Elvis Decanter”. I would even go as far as to say it is amongst my favourite songs of all time. It just has a great rhythm and to me is the perfect mix of country and punk. Whether it was on purpose or just a great accident, the song’s lyrics are sad and seem to follow a similar formula that many original country songs utilize. A man who loses his girl due to alcoholism which was enabled by his lover. Slightly clichéd, but the lyrics end up being a little depressing. The only thing it seems to lack is mention of a horse, truck, and maybe a sunset.

It looks like this my shortest recommendation I’ve written. It’s also probably the most poorly worded one too. But I’m too lazy to go back and rewrite most of it. So in summation, if I had to pick my most beloved of all albums from The Vandals, this would be it. It’s fairly unique and very different from all their other stuff. If you like country music but not punk, still give this a try. If you like punk music but not country, give it a try too. If you like neither, why the hell did you read this?

Album Recommendation: Welt


Despite KMFDM being my favourite group of all time, I can’t say that I exclusively listen to industrial music, or really even all that much outside of KMFDM. While I do have some tracks and albums from other acts such as PIG, Combichrist, Ministry, or Nine Inch Nails, I find that my collection of music isn’t too heavily composed of the genre. Surprisingly enough, it also has very little Skinny Puppy which is basically an industrial legend. Perhaps it’s because most of the Skinny Puppy tracks I listened to were from a long time ago and just didn’t gel with my tastes or I didn’t give them a fair chance based on my first impression.

Later in the early 2000s I was introduced to a track called “Cracker” by ohGr. I found it stuck in my head for quite some time. To me it was electronic industrial music (rather than industrial metal or rock) with a mix of fast glitch pop, granted I didn’t know what glitch pop was at the time. Stuck in my head for days, I had to get the whole album called Welt and give it a spin. Now over 15 years later, I find myself listening to it again and again in my office and I think it’s safe to say this is one of my favourite of all time and deserves to be one of my recommendations. Here’s the kicker, Welt was primarily made by a fellow named Kevin Ogilvie, better known as Nivek Ogre who was a founding member of (you guessed it) Skinny Puppy and has served as the front man for the group since 1982.

While I’m a fan of almost every song on this album, two in particular stand out to my ears. As mentioned, “Cracker” was one of the first I heard on the album even before I had the album. I find this one to be a bit more upbeat than some of the others and perhaps even a little catchy, not unlike a pop song. As mentioned earlier, I instantly loved the glitch sounds used and think it complimented the light bass riff. Not to mention in the music video there’s a faux Eminem doing a little rap, which the younger me found amusing. The second track that caught my attention even before I got my hands on the album, is one called “Pore”. But this track caught my attention for different reasons as it’s a very different song. It almost seems like a light and simple drum loop with various sound effects put together to form riffs that would stand in place of a vocal choruses and lyrics. Throw in some fast talking lyrics (not rapping though) and a great warped bass riff and you got something that seems to be tuned into the essence that is experimental industrial music. My description doesn’t do it justice, but this one seems to be fairly difficult to describe, so just YouTube it and check it out.

Those are my two highlights, but the rest of the album is great too. Most of it will sound closer to “Cracker” though rather than “Pore” so if you find yourself not being a fan of the latter, this album is still worth giving a shot. I’d highly recommend “Suhleap”, “Solow”, “Lusid” and “Water” as those are my next picks after the first two. When I first heard the album “Welt”, it was a fairly different change from the usual industrial music I was used to that leaned towards rock. As a good friend of mine always put it “When I listen to industrial I usually imagine a factory with giant gears and hammers with lots of clanking” (I’m paraphrasing that but you get the idea). Something like the older KMFDM albums is what industrial is to me as well. But “Welt” is much more electronic, doesn’t use guitar, and even feels like it relies on riffs and choruses that seem to be inspire by pop music. If any of that sounds like your cup of tea I highly recommend giving this a listen.

As a side note, “Welt” came out back in 2001 and since then ohGr has released three other albums. I gave the next album, “SunnyPsyOp” a listen though I never found it as good as their first. And since then I haven’t listened to their newer albums either, though I hear good things. Maybe it’s time I get the newer ones and also a bunch of Skippy Puppy albums and give them a fair chance.

Album Recommendation: Nihil


Back in the day (I want to say late 90s, but it may have been early 2000s though), later at night there was a music show called Loud that aired on Much Music. It primarily focused on metal, hard rock, and punk which none of them at the time was really my cup of tea, though I’m not sure what my cup of tea was before then. One night they aired a song called A Drug against War by the industrial group KMFDM which are considered to be among the founders of industrial music. The music video alone was enough to catch my attention and the head banging ultra heavy beatmade me drum on my pillow like a madman as I sat up in bed captivated by the sights and sounds. Prior to this I can’t recall ever hearing industrial, let alone something so energetic and heavy. Little did I know watching TV that night opened my eyes to a world of music that would change my musical tastes for the rest of my life.

Last night while I was out walking my dog, I’m fairly certain about 30-40% or so of the songs my iPod randomly picked were KMFDM songs, so it’s fair to say I’d still consider them to be my favourite band of all time. Thus, as only my second album recommendation I could think of no other band to choose from. The problem is picking only one album. They’ve been around since the mid 80s so there’s a lot of material to go through but fortunately I can narrow it down to a few mid 90s albums. That’s not to say their earlier or newer material is not good, it’s just a step down from their best era I think. But even then, I’m stuck with five great albums to choose from. So I approached it in a methodical sense and chose my all-time three favourite tracks, Megalomaniac, Juke Joint Jezebel, and Light. This cut out only two albums though, since all three of these are from different albums. So of those three, I looked at all the other tracks, as well as reflected on which songs in the past I had been most obsessed with in my younger years. Winning by only a hair above the rest, I’ve decided to pick Nihil as my favourite album of KMFDM.

If you follow KMFDM’s timeline, you can see how their sound progressed from primarily electronic, to a mix of metal and electronics, to almost all metal at times. Nihil is roughly from when they were at a perfect mix of the metal and electronic, at least in my opinion. Tracks like Flesh and Search and Destroy highlight the speedy metal on this album, while songs like Juke Joint Jezebel, Beast, and Revolution through more electronic and synth sounds into the mix. As it’s no secret, KMFDM tend to be a politically outspoken group so you’ll get a bit of their opinions on tracks like Terror and Disobedience.

For me there is a great mix of electronic and metal as I mentioned earlier, but this album (much like the other KMFDM albums from the 90s and earlier) has a unique sound to it thanks to some experimental mixing. Even the heavy guitar and steel guitar can almost sound like scratchy sound produced on a synthesizer. In terms of vocals, I’ve always been a fan of the male vocals KMFDM has had over the years and this album has four all together (though I do miss Tim Skold’s raspy voice on this one). But for me the highlight in the vocal department falls to the two ladies singing on Juke Joint Jezebel (Jennifer Ginsberg) and Beast (DoronaAlberti). Their voices singing the catchy choruses really make these two tracks shine for me. As a complete package, Nihil highlights my favourite age of KMFDM.

It’s been almost twenty years since that first night I heard A Drug against War on the TV and I dove into the world of KMFDM. And from it, I further explored other industrial acts and expanded my musical tastes, but without a doubt I can say they’re still my all-time favourite group. My best friends and I even had the opportunity to see them live twice when they rolled through Canada. I even got to see solo shows from EnEsch and PIG a couple of years back which were great, but what made them unforgettable was when they played some 90s KMFDM songs. So if you’re even curious about industrial music, I highly recommend starting with Nihil. Go through their older tunes to get a sense of the more electronic side of KMFM, and move onto the later years to get a sense of some heavy industrial metal. Either way you’ll most likely find album to love with KMFDM.

Comicbook Recommendation: Locke & Key


I’ve got a bit of a confession, I really didn’t read many comicbooks when I was younger. While I had a few here and there and did visit a local comic shop (though mostly for the toys), I didn’t pick up reading them regularly until my late 20s. I used to read two or three a night before bed, but recently have slowed down a bit (I’ve been focusing on reading some actual books lately). In those few years, I’ve read roughly 2,000+ floppies but I’m fairly certain Locke & Key stands out as my all-time favourite. I must admit picking second best is very difficult among the others though.

As a side note, you’ll most likely notice all my comicbook recommendations or commentary will not revolve around the superhero theme. When it comes to almost all literature and media I like, I find myself gravitating towards the scifi/horror/fantasy genres more than anything, so it should be no surprise that I enjoy those comicbooksmore than others. That’s just my personal taste though, I know there are some great stories out there that live in the superhero universes and I’ve read a few of them as well from time to time and thoroughly enjoyed some. But it’s just not my usual cup of tea.

Joe Hill’s Locke & Key falls into the horror and tragedy categoriesas it follows the tale of the three Locke kids and their mom who move to an old manor called Keyhouse following the brutal murder of their father. Shortly thereafter, one of the kids discovers a special key in the house with ability to open a door that can essentially make someone a ghost when they pass through it. But this key is only one of many that were forged long ago, all of which have a unique power when used. The keys hidden around Keyhouse are only one of the strange happenings around the manor though, one of the kids also discovers a woman living in a well in the backyard who seeks a specific key from the kids and resorts to haunting them when they are weary about her intentions.

There are many great aspects of this series I’d like to mention I almost don’t know where to start. For starters I’d like to give Gabriel Rodriguez a tip of the hat for the artwork. The best of it I would argue is the facial expression of all the characters, they capture emotions of joy and pain wonderfully which is essential for feeling the connections with the main and side characters. While I’m pointing that out, the emotional rollercoaster you go throughout it all is truly gripping. As I read through it I felt often at the edge of my seat that the villain was one step ahead of the Locke family. With the main characters, and colourful side characters ranging from fairly young to rather old, any reader can connect to at least a few of them and be somewhat moved during the story as well. Something I feel is fairly important when a writer engages any audience.

With a concept like keys that open doors (and other things) the possibilities seem boundless. Hill does a great job of exploring these boundaries by not limiting himself to only have keys open locks, which leads to all sorts of possibilities and ties them in nicely to the main storyline. Additionally, Locke & Key is not limited to the Locke generation the reader sees. A long, dark past of the key origins and how the Locke family became tied to them is explored in great detail both in the main series and in the additional one shot readings enriching the main storyline beautifully. Manly themes are also touched upon such as growing up, love, tragedy, and loss coupled with coping mechanisms.

This is a wonderfully captivating series and my notes above only scrape the surface of a great adventure that will tug at your heartstrings while still utilizing creative horror to keep you entertained. I can say more about it, but I always try to keep my recommendations spoiler free. Also, it’s been a couple of years since I read it so some things may have slipped. However, while I know how the story ends, this is one I will go back and read again in a few years to relive the ride. I’m not just recommending this for comicbook readers, I’m recommending this for anyone who loves a good story.

Fun facts: Joe Hill is the pen name of Joseph King who happens to be Stephen King’s son and Locke & Key is currently being worked on as a TV adaption for Hulu. Also, a pilot was shot a few years back for Fox, though it was never picked up and I don’t believe was ever aired on TV.